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This is an independent editorial space focused on visual culture.

What you’ll find

Opinion essays, visual references, and conversations focused on film, fashion, and contemporary aesthetics.

Matières Fécales | Fall 2026 Ready-to-Wear

More Is More: Erica Holloway on Power, Color, and Persona

Amedeo Bellini’s Fashion Week Diary

Inside Taisiia’s World

Ehrinn Cummings & Ryan Locke for Gucci (1998)

photographed by Luis Sanchis

"You don’t have to stick to one thing forever. You keep experimenting and finding new ways. But if you can always recognize my photos, it’s because it is a reflection of me and I’m always the one behind them."
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Inside Taisiia’s World

Inside Taisiia’s World

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Listening to Taisiia felt truly unique, especially because she speaks from a place that is undoubtedly real. Her perspective goes beyond the image itself I'd say, into insecurity & self-perception,...
I asked Oliver Zahm

I asked Oliver Zahm

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Why write to Oliver Zahm? Why indeed. If I’m honest, I just got curious, sometimes, as I’d put it, you want to see what happens if you ask a question...
MEDEEA’s “Stay with me” for A/W 26

MEDEEA’s “Stay with me” for A/W 26

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After watching “Stay with Me. Adevărul meu te va răni,” I left the show with a head full of questions about gender, tradition, and the ways fashion can provoke.
Matières Fécales | Fall 2026 Ready-to-Wear

Matières Fécales | Fall 2026 Ready-to-Wear

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Held at the Palais Brongniart, Napoleon’s former stock exchange, the Matières Fécales show struck me as being very directly linked to the idea of financial power, as if everything you...
Amedeo Bellini’s Fashion Week Diary

Amedeo Bellini’s Fashion Week Diary

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  I can hardly describe how I felt when I first saw Amedeo Bellini’s latest work. I felt happy, excited, and inspired, realizing that anything is possible if you really...
Alexandra Sipa’s “It Is What It Is” for A/W 26

Alexandra Sipa’s “It Is What It Is” for A/W 26

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The show features 15 looks, each an ecosystem of feelings and moods conceptually translated through the seasons, so how could it have opened with anything other than autumn?
Bravo, Marrakech: The City That Gave Yves Saint Laurent Color


Bravo, Marrakech: The City That Gave Yves Saint Laurent Color


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Elsewhere, style is a contest, a parade of price tags and peacocks. In Marrakech, style is the air. It is impossible to spend time here without understanding why Yves Saint...
Inside Storrveldi’s Vision

Inside Storrveldi’s Vision

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Known for challenging the boundaries of fashion, Storrveldi weaves rebellion, ritual, and personal meaning into every collection. Here is our conversation.
‘Intimate Hours’ - Masha Popova Autumn / Winter ‘26

‘Intimate Hours’ - Masha Popova Autumn / Winter ‘26

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Intimate Hours lingers in the slow light before morning, when identity feels fluid, form is still undecided, and the outside world has yet to intervene.
ERDEM: Autumn Winter 2026

ERDEM: Autumn Winter 2026

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Erdem’s twentieth anniversary collection, “The Imaginary Conversation,” forgoes spectacle for introspection. The show revisits signature silhouettes and house muses, updating familiar designs for today.

In conversation with Aurèle Aklin

"I think the worst thing to do is to keep an idea for a later point in time, saving it, for whatever reason. It hinders yourself from getting new ideas. And often an Idea or concept belongs to a moment in time and I believe that sometimes we are just the vessel to bring it to life. There’s a quote, “Creativity is the courage to abandon the safe”."
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